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'Free Agents' Premiere Review

About.com Rating 3 Star Rating
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By , About.com Guide

Free AgentsPhoto courtesy of NBC

The Bottom Line

Free Agents is an amusing if scattered ensemble comedy built around an inherently limited premise. While the potential romance between the lead characters may run out of steam, the supporting cast seems strong enough to sustain the humor of the show beyond that point.

Details

  • Premiere airs September 14, 2011, at 10:30 p.m. EST on NBC; subsequent episodes air Wednesdays at 8:30 p.m.
  • Stars Hank Azaria, Kathryn Hahn, Anthony Head, Natasha Leggero, Al Madrigal, Mo Mandel, Joe Lo Truglio
  • Developed for American television by John Enbom

Review

Based on the British series of the same name, Free Agents is a prime example of why shows across the pond are generally meant to last for only a few short seasons: Its first episode sets up a scenario that can only be dragged out for so long before becoming tiresome and meaningless, and which will eventually either have to be dropped entirely or evolve into something that changes the basic concept of the show. But that’s a problem for down the road, and for now Free Agents is a sharp, mostly funny look at both a couple of damaged people and the ridiculous co-workers they deal with on a daily basis. Those co-workers are insurance that the show may be able to outlast its limited premise, and keeping the setting focused on the workplace means that the supporting cast isn’t just meaningless window dressing.

Still, the main focus is on main characters Alex (Hank Azaria) and Helen (Kathryn Hahn), who both work at a high-powered public-relations firm, a definite high-stress, time-consuming career. Both of them are also newly single and not coping with it very well. Alex is recently divorced and has an unfortunate tendency to burst into tears at any mention of the kids he barely gets to see anymore (even hearing a song his kids like causes the waterworks to start up). Helen is still reeling from the sudden death of her fiancé a year earlier, filling her apartment with sappy romantic pictures of the two of them and spending her evenings alone, drinking wine and crying.

So when the two of them end up in bed together, it’s not something either one is prepared to deal with. It’s refreshing to see a show begin with the central couple already having slept together, rather than introduce a tedious “will they or won’t they?” dynamic. And Azaria and Hahn have a nice awkward chemistry, giving the sense that these people are way too damaged to know how to behave normally around each other, but also clearly have a sense of connection and attraction that they can’t turn off. The problem is that Alex and Helen are going to have to either end up in a relationship or completely discontinue their hook-ups, and each of those options would kind of destroy the appealing balance between the characters.

For now, though, it’s fun to watch them try to hide their attraction and mutual secrets while around their co-workers, who are an amusing collection of misfits. Anthony Head reprises his role from the British series as the duo’s crass, overbearing boss, and he clearly has a lot of fun with it. The State alum Joe Lo Truglio is nicely creepy as the night security guard who lets Alex spend nights in his office rather than going home, and Natasha Leggero provides some nice sarcastic rejoinders that undercut any potential sentimentality. Most importantly, Hahn and Azaria bring genuine emotion to their characters (Hahn in particular has had a lot of over-the-top roles in the past, so it’s nice to see her more grounded). I’m interested in seeing where their relationship is heading; I just don’t know if it’ll remain interesting for 22 episodes (or more).

Disclosure: A review screener was provided by the network. For more information, please see our Ethics Policy.

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